Sunday, Funday: Drunk on some
new (to me) kind of Scotch whiskey at the
24/8 Aussie lounge (emu carpaccio?) on Mulberry Street with LN, the unemployed advertising copywriter ("smoky" was her well-chosen adjective for the whiskey) with the impeccable leftist pedigree. An impromptu social occasion, but we turned out to be kindred spirits, singing "When Our Love Passed Out on the Couch" in the snow. Whatever
did happen to
Billy Zoom? Reminiscing about teenage nights at the
Hong Kong Café. Saw J. today for brunch at Leon, happy to hear she is doing well, using the layoff to pursue a long-term goal deferred until now. Seems like there is a lot of that going around in my circle friends. I guess it applies to me as well. A. is a bit blue, so we will meet up tomorrow to see the
Brazil show at the Guggenheim, after I do my errand at the 42nd Street research library in the morning. The show does not seem to have a section on
cordeis (
cordel poetry), the self-produced newsprint chapbooks of topical and traditional oral-formulaic poetry from the wild Northeast. I saw a wonderful show about these
jornais do sertão at
SESC Pompeia in São Paulo last summer. The continuity with medieval popular verse is really striking. The Enigmatic Mermaid likes to call me Lampião o Gringã after a famous bandit hero of this tradition.
Ethics of Blog: C., writing to me about her wild busy Saturday, is a bit leary of being blogged about, an issue I have thought a bit about. It
is odd to be writing a diary with others in mind, I guess, though it is really more like a personal newsletter. Names are changed to protect the innocent, of course, and I don't think the contents show up in a google. And I do write stuff purely for my own private consumption, of course. The FBI will have to get a subpoena to extract it from the secret encrypted folder of doom if they want to know all about my feeble thought crimes and petty sins in thought and deed. On the other hand, I would love to do a collaborative blog on some topic of mutual interest with smart people of like interests. I don't suppose it would hurt for me to cut and paste in what I wrote back about my intellectual interests in response to C.'s question:
My very dry thesis was called "Is Fiction an Illocutionary Force? Notes on Currie's Attempt to Rescue Searle from Searle." It belabored a very dry point in speech-act theory touching tangentially on some topics in Derrida, sort of. It had lots of modal-logic symbolism and discussion of possible-world semantics and fancy shit like that. Dull. But the great thing about Felman's book is that the French title,
The Scandal of the Speaking Body, and the English title,
The Literary Speech-Act, are part of a subtle satire on the stylistic differences separating Anglo-American and French treatments of the same issues in semiotics and semantics. She talks a lot about translation. Was going to follow up on that groundwork in my Ph.D. dissertation, which was going to be called something like "Analogy, Casuistry, Fiction, and the Rhetoric of Exemplarity in the Frame-Tale Tradtion." Starts with the Kalila wa Dimna, goes through the
Thousand and One Nights and the
Maqamat of al-Hamadhani, Chaucer, and Petrus Alfornso, and ends up with Cervantes'
Novellas Exemplares and the
Quixote, maybe some Gongora (why not go for baroque?), and perhaps de Sade's
The 120 Nights of Sodom as a counterexample illustrating the phenomenom described in Ong's Ramus and the Decay of Dialogue
. Underlying, unifying theme was to be neo-Aristotelian theories of analogy as embodied in certain Islamic and Christrian theories of the role of fiction and casuistry in the art of moral legislation.
Quite a mouthful. But then all the poor poets started to lose their verse, and the ladies they rolled their eyes. I may have already mentioned that.
Work is for Jerks: The editorial and publishing classifieds in the
Times do seem to be picking up. I zapped off a résumé to the following, for example:
Editor
COPY EDITOR Leading bi-weekly retail publication
seeks Copy Editor with at least 2 years'
trade experience. Job entails heavy
copy editing and layout, with some
rewriting. Strong Quark skills in Mac
environment a must. Management
and production experience also re-
quired. We offer a competitive salary/
benefits. Please submit resume, which
MUST include salary requirements, to:
Lebhar-Friedman, Fax: 212-756-5124.
E-mail: ssmith@lf.com EOE
LEBHAR-FRIEDMAN
So hire me already. Time to order up some hummous from
Mat'am az-Zaytoon and work on the Gorilla project. Awaiting input from EB, the art-mistress. Need to work up a questionnaire for my respondents in the article on instructional design I am pitching to ACM. Iggy could use some
Meow Mix as well, or so he says. It will be a busy week.